Kappes — The Picturesque and Its Decay (2020)

Kappes, Gabrielle. “The Picturesque and Its Decay: The Travel Writing and Journals of Dorothy Wordsworth, Mary Wollstonecraft, and Mary Shelley.” Ph.D. thesis, City University of New York, 2020.

“This project puts forth the argument that when the late eighteenth century’s taste for nature and picturesque tourism had peaked, writers following in the picturesque tradition grappled with the limitations and confines of these aesthetic categories. In the chapters that follow, I present three authors, Dorothy Wordsworth, Mary Wollstonecraft, and Mary Shelley, who are all dissatisfied with the conventions of the picturesque.”

Available on the Web.

Ożarska — Grand Tourists or Travellers? (2013)

Oarska, Magdalena. “Grand Tourists or Travellers? Dorothy Wordsworth’s and Mary Shelley’s Travel Journals.” Zeitschrift für Anglistik und Amerikanistik 61.2 (2013): 107–120.

Abstract: “Dorothy Wordsworth’s 1820 Journal of a Tour on the Continent and Mary Shelley’s 1844 Rambles illustrate two 19th-century approaches to the phenomenon of the Grand Tour: the Romantic (a traveller’s) and the anti-Romantic (a tourist’s). In terms of chronology, it would seem that both texts fully represent the Romantic approach to travel. However, this assumption will be tested in the present article. For a discussion thereof, apart from an overview of Chloe Chard’s characteristics of both approaches (1999), John Urry’s observations on tourist gazes (1995) may prove useful, if aspects of the anti-Romantic approach are determined in either text. A detailed examination reveals that Mary Shelley tends towards the concept of tourism rather than explorative travel despite embracing the national problems of her Italian ‘travelees.’ Dorothy Wordsworth’s travelogue, in turn, reflects the attitudes of the Romantic era.”

Digital text: Academia.